Jun 30, 2026 · 4:45 AM
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TIDAL becomes the first major streaming platform to strip royalties from fully AI-generated music

TIDAL announced on June 29 that fully AI-generated music will be stripped of all royalties starting July 15, 2026, making it the first major streaming platform to demonetize AI tracks rather than simply label them. The move puts pressure on Suno, Udio, and rival platforms like Spotify and Apple Music, and positions streaming services as the primary enforcement layer for AI content policy ahead of any legislation.

Janet Harrison
· 5 min read · 102 views
TIDAL becomes the first major streaming platform to strip royalties from fully AI-generated music

TIDAL's decision to demonetize AI-generated tracks starting July 15 puts it ahead of Spotify and Apple Music, and turns streaming platforms into the real enforcement layer for AI content policy.

Every other major streaming platform has taken a look at the flood of AI-generated music and decided the right response is a label. TIDAL looked at the same flood and decided to cut off the money. On June 29, the platform announced that fully AI-generated tracks will earn no royalties, collect nothing from direct-to-fan sales, and be ineligible for monetization of any kind. A visible "AI" badge will flag every track TIDAL's automated systems identify as machine-made, and music that impersonates a real artist gets removed outright. The policy takes effect July 15, 2026, and TIDAL is calling it a living document, meaning it'll evolve as the fight does.

The scale of the problem makes the policy understandable. Deezer reported that roughly 75,000 fully AI-generated tracks hit its platform every single day, accounting for about 44% of all new music delivered to the service. Up to 85% of streams on those tracks were flagged as fraudulent in 2025. That's not a content moderation challenge, it's a royalty pool contamination problem. Every stream of a fake track dilutes the per-stream payout for a real artist, and the volumes involved mean real artists have been quietly subsidizing a spam operation they never agreed to join.

TIDAL's move is the first to target the mechanism that makes mass AI uploads worth attempting in the first place: the payment. Transparency labels, which Spotify updated last September and Apple Music introduced in March via a disclosure-based tagging system, leave the financial incentive intact. Both place the burden of disclosure on the artists and distributors themselves, which is roughly equivalent to asking spam senders to mark their own emails as junk. TIDAL's automatic detection removes that courtesy.

For Suno and Udio, this is a consequential development even though TIDAL is not the largest platform in the world. Both companies have spent 2026 trying to stabilize their legal standing. Warner Music Group settled with Suno and struck a licensing deal that Music Business Worldwide described as a first-of-its-kind partnership. UMG reached its own agreement with Udio in late 2025. Sony Music is still litigating against both. Those deals were built around the assumption that AI-generated music would flow into streaming and generate revenue, some portion of which could then be shared with rights holders. Demonetization at even one platform disrupts that math, and if other services follow TIDAL's lead, the revenue model that justifies licensing negotiations becomes a lot harder to defend.

There's also a platform-level logic here that has nothing to do with artists. TIDAL, which is owned by Block, has positioned itself as the streaming service that actually pays musicians fairly. Its model has always leaned on artist credibility as a differentiator against Spotify. Stripping royalties from AI tracks is consistent with that brand, but it also comes at a moment when every major streaming platform is sitting on potential legal exposure. The RIAA's lawsuits against Suno and Udio established that AI companies trained on copyrighted recordings without licenses. Platforms that continue paying out royalties on AI-generated tracks, while those same tracks may have been built from unlicensed training data, aren't obviously clean of that liability chain. TIDAL doesn't say this out loud. It doesn't need to.

Frankly, the "living document" framing is the most honest thing about the announcement. Detection is genuinely hard. The line between AI-assisted and AI-generated is contested, legally and technically. Producers have used software tools to manipulate recordings for decades, and the industry has never agreed on where assistance ends and authorship begins. TIDAL's policy draws that line at 100% AI-generated, but the company hasn't explained exactly how its automated systems make that call, or what appeals process exists for tracks caught by false positives. Those are real questions, and the "living document" language is an implicit acknowledgment that the answers aren't settled yet.

What is settled: streaming platforms have become the de facto enforcement infrastructure for AI content policy, and they got there ahead of any legislation that would require it. Congress hasn't passed anything comprehensive on AI-generated content. The EU's AI Act deals with transparency obligations but doesn't specify how royalty structures should respond. Into that vacuum, platforms are writing their own rules, and TIDAL just wrote the most aggressive one on the board. The question now is whether Spotify, Apple Music, or Amazon Music read TIDAL's move as a competitive advantage worth copying, or a legal and commercial risk worth watching from a distance. Given that Deezer has also pushed hard on AI labeling, TIDAL isn't entirely alone. But it's the only one so far willing to say the quiet part loudly: if a human didn't make it, a human shouldn't get paid for it.

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Janet Harrison has over 16 years experience in the financial services industry giving her a vast understanding of how news affects the financial markets, and an early adopter of blockchain technology and digital currencies. Janet is an active holder and trader spending the majority of her time analyzing blockchain projects, reports and watching new and upcoming projects and other initiatives in the industry. She has a Masters Degree in Economics with previous roles counting Investment Banking.
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